When was op art first invented




















After the Op style began appearing in graphics, advertising and design. During the s Riley began painting the black and white works which characterise her style, such as Over , , in which a curved line is repeated in varying frequencies to create a shimmering optical effect.

She said:. Nonetheless its influence on contemporary art practice continues, as seen in the work of American artist Philip Taaffe and British artist Richard Wright.

The style also provides material for neuroscientists exploring the ways the eye can process lines, forms and colours. As a result, one began to see Op Art everywhere: in print and television advertising, as LP album art, and as a fashion motif in clothing and interior design.

Although the term was coined and the exhibition held in the mids, most people who have studied these things agree that Victor Vasarely pioneered the movement with his painting "Zebra. Escher's style has sometimes caused him to be listed as an Op artist as well, though they don't quite fit the definition.

Many of his best-known works were created in the s and include amazing perspectives and use of tessellations shapes in close arrangements. These two certainly helped point the way for others. It can also be argued that none of Op Art would have been possible—let alone embraced by the public—without the prior Abstract and Expressionist movements. These led the way by de-emphasizing or, in many cases, eliminating representational subject matter.

As an "official" movement, Op Art has been given a lifespan of around three years. This doesn't mean, however, that every artist ceased employing Op Art as their style by Bridget Riley is one noteworthy artist who has moved from achromatic to chromatic pieces but has steadfastly created Op Art from its beginning to the present day.

Additionally, anyone who has gone through a post-secondary fine arts program probably has a tale or two of Op-ish projects created during color theory studies. It's also worth mentioning that, in the digital age, Op Art is sometimes viewed with bemusement. Perhaps you, too, have heard the rather snide, some would say comment, "A child with the proper graphic design software could produce this stuff.

This certainly wasn't the case in the early s, and the date of Vasarely's "Zebra" speaks for itself in this regard. Op Art represents a great deal of math, planning and technical skill, as none of it came freshly-inked out of a computer peripheral. Original, hand-created Op Art deserves respect, at the very least. Op Art exists to fool the eye. Op compositions create a sort of visual tension in the viewer's mind that gives works the illusion of movement.

For example, concentrate on Bridget Riley's "Dominance Portfolio, Blue" for even a few seconds and it begins to dance and wave in front of your eyes. Realistically, you know that any Op Art piece is flat, static, and two-dimensional.

Your eye, however, begins sending your brain the message that what it's seeing has begun to oscillate, flicker, throb and any other verb one can employ to mean, "Yikes! This painting is moving! Op Art is not meant to represent reality.

Due to its geometrically-based nature, Op Art is, almost without exception, non-representational. Artists do not attempt to depict anything we know in real life. Instead, it is more like abstract art in which composition, movement, and shape dominate. This movement generates a constant evolution in the modern world and in art, since constantly the perception, culture, beliefs, concepts and ideals are modified over time through the contribution of manifestations that definitively create a synergy between the spectator and the work.

Therefore, this movement lacks emotions for greater receptivity and interpretation, only using techniques such as illusion. How to cite this article? Op art. Art Op art. Related topics abstract expressionism , naive art , pop art , cubism , dadaism.

What is op art?



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